From the Met catalogue: “His work also touches upon vernacular forms such as the muralist tradition and the comic book in order to address and correct, in his words, the “vacuum in the image bank” and to make the invisible visible.

Well, all right, then. :-)


“Smashing”—The New York Times

“This retrospective is a stone-cold stunner”—The Guardian

“’Mastry’ has a breakthrough feel: the suggestion of a new normal, in art and in the national consciousness.”—The New Yorker